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Nigerian Medical Association (NMA), a feat he said had never been achieved by any past administration in the state." The UCC investigating committee sympathized but still found Evans at fault.

"I know you have, We took it. “The Group appealed to Mr President to carry all parts of the nation along in his appointments and projects to give them a sense of belonging. President Donald Trump held a summit with Putin in Helsinki, said that’s not the whole story. Senior Special Assistant on Media and Publicity to President Muhammadu Buhari,The jury received the case shortly before 11 a Get your history fix in one place: sign up for the weekly TIME History newsletter The Massachusetts Senator had announced in 1984 that, where the demand to see the foursome live gave rise to stadium rock And the Rolling Stones still have audiences under their thumb despite their combined age of 284 Fans of the band PhishPhishheadsas well as Bruce Springsteen are a formidable force but in terms of unbridled loyalty and devotion to the late Jerry Garcia and his bandmates Deadheads are without peer Rock critic Robert Christgau was the first to write about this unique traveling audience commenting in the Village Voice after attending a 1971 New York City concert that "regulars greeted other regulars remembered from previous boogies and compared this event with a downer in Boston or a fabulous night in Arizona" And the band took notice As Jerry Garcia once said "our strong suit is what we do and our audience" The Dead played a different song set at every show sending "regulars" on the road to the bands next gigsince no two shows were ever the same The Dead also not only allowed but actually encouraged fans to tape the concerts eventually setting up a "tapers section" for them Hence somewhere in the Deadosphere there exist tapes of practically all of the 2500 shows the Dead performed in their 30 years of touring If you have a lot of time to kill just ask a group of Deadheads to talk about their favorite live show 7 Pictures That Show the Grateful Dead’s Evolution Over the Years Warlocks in 1965 Herb Greene The Grateful Dead when they started playing as the Warlocks 1965 Paul Ryan—Michael Ochs Archives/Getty Images Jerry Garcia posing with banjo in front of American Flag 1966 Herb Greene In 1967 from left: Lesh Garcia Kreutzmann Weir and Ron “Pigpen” McKernan Herb Greene The Grateful Dead 1970 (clockwise): Bob Weir Phil Lesh Bill Kreutzmann Ron "Pigpen" McKernan Mickey Hart and Jerry Garcia Chris Walter—Wireimage/Getty Images November 1981 San Rafael California USA — Jerry Garcia singer and guitarist for the Grateful Dead poses for pictures at his home with folk singer Joan Baez and Grateful Dead drummer Mickey Hart Roger Ressmeyer/Corbis Bob Dylan and The Dead photographed at Autzen Stadium in Eugene OR July 24 1987 Jay Blakesberg 1 of 7 Advertisement The atmosphere at a performance reflected a sense of community and a deep bond between the band and the audience In an interview in the short film A Conversation with Ken Kesey which followed the documentary Tie-Dyed: Rock n Rolls Most Deadicated Fans author Ken Kesey commented on this phenomena: "[the Dead] werent just playing what was on the music sheets they were playing what was in the air When the Dead are at their best the vibrations that are stirred by the audience is the music that they play" And if you couldnt get a ticket to the show No problemthere was plenty of action outside When the Dead were in town parking lots outside of their concerts were transformed into small villages with vendors selling tie-died shirts burritos and of course drugs Many of these vendors never attended a single concert but would camp out hoping to earn enough money to pack up their painted Volkswagen bus and follow the band to their next stop Among the parking lot hordes you could always spot the hopeful roaming the grounds with a single raised finger: Deadhead code for "I Need a Miracle" a free concert ticket Interestingly: That gesture was still in play in 2007 when newly-elected House Speaker Nancy Pelosi threw a party and invited former members of the band to play Outside stood a pony-tailed grey-suited gent holding a sign that read "I Need a Miracle" A staffer on the inside recognized his clarion call and sneaked him in The parking lot scene was featured in the Tie-Dyed documentary and aptly described by one hippie couple in the doc who met at a show and had been following the band for three years with their baby conceived at the first showin tow: "Its one big happy Dead kinda thing" It was not always happy though As Jerry famously sang "every silver linings got a touch of grey"more than a touch actually With the proliferation of drugs at Dead concerts it was not uncommon to spot fans who had overdosed The Dead were the first rock band with a group of fans who formed a 12-step program to keep the lure of drugs at bay during concerts where temptation is everywhere These Wharf Ratsnamed after a Dead songgathered under an arc of yellow balloons during concert breaks finding strength in numbers as they maintained sobriety "one show at a time" Over the years the fan base changed and evolved but one thing remained constant As Dennis McNally longtime Dead publicist and author of the best-selling book A Long Strange Trip wrote about deadheads "[They] had only one thing absolutely in common: Each had experienced some inner click of affinity some overwhelming sense of here I belong" when confronted by the Dead its music and scene It was the recognition of an essentially spiritual experience that bound them together " LIFE Books Former TIME and Sports Illustrated reporter Amy Lennard Goehner currently writes online dating essays for MatchWritercom Arpita Aneja is an Associate Producer for TIME Video LIFEs special edition The Grateful Dead: 50 Years Along the Golden Road is available now Pick up your copy in stores today Digital edition available at TimeSpecialscom History Newsletter Stay on top of the history behind today’s news View Sample Sign Up Now The Enduring Legacy of Jerry Garcia The Long Strange Trip Jerry Garcia and the Grateful Dead forged a completely unique musical identity playing thousands of concerts over a 30-year period Though Garcia’s death in August 1995 effectively ended the band’s touring days the Dead’s music and cultural influence have continued to grow Digital copies of the band’s concerts continue to sell briskly via iTunes and fan sites while a Hollywood biopic about Garcia is in the works and a pair of Deadhead marketing experts have just released a book that posits the band as an ideal model for marketing in the Internet age Oh if that’s not enough Cherry Garcia remains Ben and Jerry’s No 1–selling flavor RB/Redferns/Getty Images Dead to the Core The crux of the Grateful Dead’s musical identity was the band’s willingness to constantly experiment No song was ever played the same way twice and no two concerts are remotely alike This jam-band approach has been successfully co-opted by a number of contemporary groups like Phish and the Dave Matthews Band Paul Ryan—Michael Ochs Archive/Getty Images The Electric Kool-Aid Acid Test The Dead gained its early audience by performing as the house band at the many LSD parties known as "acid tests" that were organized widely in the Bay Area in the mid-1960s The scene centered on the intersection of Haight and Ashbury streets was later memorialized in a best-selling work by Tom Wolfe who stands with Garcia and Dead manager Rock Sculley in this 1966 photo Ted Streshinsky—Corbis The Music Never Stopped The free-flowing approach to music that the band perfected over three decades of playing together was possible because of the extraordinary abilities of the musicians Garcia partnered with After his death guitarist Bob Weir and bassist Phil Lesh formed a series of bands — the current incarnation is called Furthur — while drummers Bill Kreutzmann and Mickey Hart (not visible in this photo) lead the group the Rhythm Devils In 1970 when this photo was taken the group included Ron "Pigpen" McKernan rear left who sang and played keyboards and harmonica He died in 1973 Robert Altman—Michael Ochs Archives/Getty Images My Love Is Bigger Than a Cadillac Small-scale tributes to Garcia and the band abound More than a dozen musical artists paid tribute to the guitarist at the 25th annual Jerry Garcia Birthday Bash in West Virginia; The Grateful Dead Hour a radio program hosted by David Gans can be heard on 73 stations throughout the US; and the San Francisco Giants will give out Garcia bobble-head dolls at their game against the Chicago Cubs on Aug 9 the anniversary of his death Roger Ressmeyer—Corbis Spinach Jam A critical component of the band’s enduring popularity is the visceral connection Garcia et al established with the group’s fans known as Deadheads Unlike virtually any other act the Dead encouraged its audience to record its shows and did not object when digital copies of those recordings were made available on the Internet (as long as no one took a profit from the sale of the music) In their book Marketing Lessons from the Grateful Dead: What Every Business Can Learn from the Most Iconic Band in History authors Brian Halligan and David Meerman Scott relate that this unorthodox business model actually proved wildly successful By giving away its music the band brought in new fans and increased sales from concerts records and merchandise Ed Perlstein—Redferns/Getty Images Captain Trips For most of the band’s career Garcia and his fellow musicians did not live the glamorous life that one commonly associates with top rock acts Though money flowed in the band was terrible at managing itself or finding someone trustworthy to do it And in many ways Garcia was cool with that The Dead scene is more "inclusive than exclusive" he said in a 1967 interview It has more to do "with integrity . "It also provides further evidence that the February forecast was unduly pessimistic.

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